7DFPS and Desert Bus

Don’t worry to anyone who has been following what I’ve been doing this year, I haven’t missed October or November. I’m so close to finishing this goal of mine for 2018 and my next post will include not only that month’s jam entry but a summary of what I have done over the year. But for now, more jam games.

In October, I took part in 7DFPS, as the name implies the jam is focused around games in the first person shooter genre. The jam itself is probably best known for being the source of the wildly successful indie title SUPERHOT, where the prototype was created for the jam back in 2014. I decided to take part in this jam to see if I can add to the 3D game system I developed in September’s game jam.

7DFPS-00001

One issue I had when working on this system was that I didn’t have a fully working software frustum culling system, this would allow me to avoid draw calls on 3D objects that were not in view of the camera. What you see above was the issue I had before. It took a number of trial and errors and reading on how to properly set up and transform the plans before I had it properly culling the right objects. I also added some other mechanics I need to make this a classic FPS, jumping while taking into consideration multiple floors and shooting projectiles.

As you can see from the projectiles, some of them were clipping unusally. This is a side effect of rendering textured objects in OpenGL with alpha transparency, any objects that are drawn after transparent objects will have the scene’s pixel data overwritten. The solution to this is to sort your 3D objects, first by making sure he fully opaque objects are in front, and transparent objects by their distance from the camera (aka depth/transparency sorting).

7DFPS-00007.gif

Then came the big additions, I used most of the same code from Fursuit Run for the enemies so they had the same 2.5D effect, but changed around the movement code and added the ability for them to shoot as well.

For the game’s hook, I wanted to have a mechanic based on Ikaruga, where only opposing colours hurt you and the enemy. As such I had to give the player and each enemy two batch renderers, one for each colour, to share one bullet group, as well as a flag for their current colour. Then I made sure the game checked what the colour of the bullets, players and enemies were during each collision to make sure that only opposing colours set damage.

7DFPS-00006.gif

Then it came round to the presentation, I decided to make the level much bigger (no easy task considering the original protoype used hard coded map sizes), changed the textures and added bloom so the game’s visuals had a neon aesthetic.

In the last few hours, I struggled to find how to give the game a proper goal for single players. As I was getting tired, I decided just to have an orb that the player must find to collect. The gun in the middle was the last touch, which also helped made distinguishing the player’s colours easier.

I managed to fix a few bugs later on, although I think I’ve done most that I can with this. Although one change that I don’t think will get finished but was cool was I managed to get multiple cameras working for one scene, which makes split-screen gameplay possible! So for making a number of improvements to my engine’s 3D capabilities, I call this a win. You can play RvB here on itch.io.

7DFPS-00010.gif

For November, I took part in the Desert Bus Game Jam, which started last Friday (9th November) and I managed to finish on Thursday (14th November). This jam is done in conjunction with Desert Bus For Hope, a charity video game stream to raise money for Child’s Play. The theme for each DB jam is around the desert bus, which itself is based on a notorious unreleased game of the same name.

I decided after two 3D games to make it slightly easy on myself while being experimental, so for my Desert Bus Game, you would see two perspectives, one to dodge stuff on the road and the other to keep your bus balanced.

DesertBus-00002.gif

Unfortunately, as of writing I do not have a proper physics system in Vigilante, so I made do with the standard collision system. The rear-view had a bus that leaned in the direction by changing the origin of rotation to the bottom corners. One low-level thing I did do for this game was to update the VSprite from using SFML’s sprite object to VertexArrays. This would allow me to adjust each vertex on the fly, instead of being restricted to a single square. It also allowed me to freely change the texture coordinates so I could do the endlessly scrolling roads, as well as skewing them. I hoped I would be able to get proper perspective to work, but even vertex arrays have their limits when it comes to skewed sprites.

You can play Bus on the Desert here.

One month to go!

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RainbowJam – Fursuit Run

For the month of September, I needed to take part in a game jam, but initially, I wasn’t sure which one. I looked through all the jams listed on indiegamejams.com and while you are spoilt for choice, not many were catching my eye. That was until one of my friends from the Birmingham Indie Developers, Kirsty Fraser, mentioned a game jam she was organising.

RainbowJam is a two-week games jam about exploring LGBT+ themes, running for its third year it’s partnered with the non-profit organization Queerly Represents Me and encourages representation and to “create games exploring and celebrating identity, gender, sexuality, sex, life, and love!” After working on Re(re4ti0n, I’ve felt a little urge to create some more experimental games that go against what I generally like, which would be arcade retro shooters/platformers with a neon glow or a retro aesthetic. I also knew I had some 3D functionality in Vigilante that deserve to be worked on enough for a complete game, so I spent a few weeks earlier in September to create a basic 3D game system.

Unfortunately, my 3D stuff was limited to what you can render. I consider Vigilante a 2D game framework with 3D elements, so I didn’t bother implementing 3D collision detection, but I had an idea: what if I make the game function in 2D space, but display in 3D space.

What I did was set up a small 2D enviroment with a tilemap and a basic sprite, and I set up the 3D models to display the scene based on the tilemap while the camera’s position and rotation is based on the sprite’s position and angle.

 

As you can see, I got the tilemape to display really well, the floor being a multi-segmented plane that could display mutliple different tiles in one model, and the walls being cubes that are scaled depending on where their neighbours are. Initially I was creating each cube as a separate model, which I felt was dangerously innefficient so I created a batch rendering group, creating one model but using multiple V3DObject instances to specifiy where that model should be rendered. I did need other things in the game though, stuff that the player can interact with, so I created a special model that could render a 2D sprite (including 2D animated sprites!) in a 3D enviroment, always facing the camera.

The last major thing I wanted was to add an additional level, as wondering a single room is good but extremely limited. As such I made a second tilemap, a model to represent a ramp of sorts and added variables and additional groups to tell what floor the player is on, and as such what should be displayed/collided with. The bigger challenge was implementing how the player will climb up stairs, as it also had to factor falling. Combining gravity with the player moving upwards if the sprite is overlapping the area where the said slope is situated took a lot of trial and error before I finally got a dituation where the player could fully explore the floor above and walk back down to the ground floor!

After making the slope look a bit more like steps, the demo was pretty much ready for RainbowJam.

To make a game for Rainbow Jam, I wanted to make a game that is about sharing love and making people happy. I went with a game about being a fursuiter because as a furry, I know the community is very supportive of LGBTQ+ people and as someone who’s performed in fursuits at conventions and meets, I feel the most important aspect is to make anyone you see feel happy, entertained and loved, even if it’s by portraying a character.

Making the attendees you interact with was probably the biggest challenge, I made a dough body sprite with frames for actions at each angle, and made the object switch frames based on what angle it’s facing from the player. As for the AI I considered setting up a finate-state machine, but fearing it would be too much work for a jam I went for a simple state model. I got my code for line of sight and path finding from previous projects in order to get the attendees  to walk around the floors they are on, wave at the player when they see them and either hug or prepare a camera for a photo, responding to what the player does at the same time.

To simulate the limited vision of fursuits was to overlay the screen with a mask. I added a little bobbing while walking for fun, as seen in the tweet below, however a fellow gamedev suggested getting the camera to bob in time as well, which ended up working pretty effectively!

All the graphics and audio was done on the last day, I used the dough sprite as a base while I apply the colour and details over it. I unfortunately realised the limitation I set myself using a 20×20 tile size, but I think there is enough space to see who is who. As for the enviroments I used some references for hotels, such as the carpet and ceilings. There is a chandelier on the ground floor, which I designed myself to be multiple 2D images rotated because I found most 3D models online to be needlessly complex.

At around 11pm on Sunday, I uploaded Fursuit Run to Itch.io making this the game for September. There is still a voting period which begins when the jam officially ends on the 6th October. So far the reception has been fairly positive, mostly from furries, some non-furries don’t appear to like the idea without actually playing the game as of writing. I’m pretty happy with how the game turned out, as well as the 3D system. There is definitely room for improvement, as there isn’t much optimization that could be done such as view frustum culling. I’m hoping to get it improve for my next games jam, 7DFPS.

Ludum Dare 42 – Closing in on Pascal

The game jam for August was Ludum Dare 42, so with it coming to a close, I thought it’d be good to talk about how the submission [Closing in on Pascal](https://ldjam.com/events/ludum-dare/42/closing-in-on-pascal) came about and what I learned from it.

Ludum Dare 42 was particularly exciting for me, as it was the first LD in a long time that I had a completely free weekend. As such, I decided to plan the first day entirely for gameplay, with graphics and audio on the second day. That way I get a solid game and then plenty of time to work on making it look and sound nice, you’ll find out why that plan isn’t flawless as it sounds.

When it came to the theme, I was already very pessimistic that it would be a theme I’d be happy with, it’s been a common trend for people to vote on the theme that no one wants. I even voted against the theme “Running Out of Space” but when it turns out to be the chosen one, I thought it was pretty good.

The concept of running out of space I had was inspired by the cartoon trap of the walls closing in on someone in a temple. I figured a game where the player has to reach an exit before the room crushes them to death.

Fortunately, I have a bit of experience with platformers in my game engine from a previous jam, so the tilemap, jump physics and mechanics such as wall jumping I have previously implemented.

LD42-00000.gif

The jump animations itself was done because I remembered the indie platformer INK having good squash & stretch. To achieve it I modify the scale so that it squashes inwards when going up and stretches outward. If I had more abilities to adjust the individual vertices I could do more fun aspects of moving like skewing.

LD42-00001.gif

Since my idea was inspired by a temple film/TV trope, I already had the visual theme in my mind. I also thought it would be good if I had a little cartoon character who’d look like Indiana Jones. It was fun working with pixel art and animation once again, but if I was to do this again I would have done a much simpler approach. The player character is way too small for the game screen, meaning that its animations are pretty much useless. I also had a bit of issue with making the colours stand out so it doesn’t feel all yellow and brown.

LD42-00002.gif

In the end, it took around 3 – 4 hours to work on the background environments and 5 hours to work on the player sprite and all the obstacles. If I went with a much simpler design or scrapped the temple theming and used the simple colours and shapes it would have been much clearer and easier to look at.

LD42-00009.gif

The sound and music was achieved with LMMS and BFXR. I like making NES-like chiptune in there but I do notice it’s restrictive in areas like tones and tempo, so I couldn’t get the sounds I want. It also didn’t help that thanks to the graphics, I had much less time to work on sound and music so it ended up rushed.

The post-jam has most of what I would have added or done better if I had time. Particle effects, using directional keys as well as the WASD buttons, and a better title logo. I would have also worked on more levels but seeing how many levels players are willing to go through, then maybe the existing levels should have been improved slightly.

I’m a little worried about what the rankings will be for this one, I’m definitely glad I could take part but I feel as though I wasted too much time on the graphics when a simpler approach would have been effective. You can go check out [Closing in on Pascal](https://ldjam.com/events/ludum-dare/42/closing-in-on-pascal).

Games on Command: Making of PEWBALL

For the month of July, I decided to take part in Floppy Jam as my games jam for that month. Floppy Jam was a small jam with a novel idea, make a game that could fit on a single floppy disk with the total memory capacity of 1.44 MB. I decided to take part but there is an issue, most of my typical development environments could not make a game that small, even if I made a completely procedural game. So I decided I should make a new engine, where it has the most basic elements (graphics, sound and input) in its smallest possible code. That’s when I decided to make a games engine using the command prompt.

 

The command prompt looks simple, there isn’t much you can output to the console and it’s typically slow, at least not fast enough for real-time smooth rendering. However, that’s if you use the standard iostream or stdio functions. The Windows library actually treats the console window like any standard window, with a handle for both input and output, as well as a screen buffer.

HANDLE hConsole = GetStdHandle(STD_OUTPUT_HANDLE);
CONSOLE_SCREEN_BUFFER_INFO csbi;

GetConsoleScreenBufferInfo(hConsole, &csbi);

SMALL_RECT rectWindow = { 0, 0, 1, 1 };
SetConsoleWindowInfo(hConsole, TRUE, &rectWindow);

COORD coord = { (short)SCREEN_WIDTH, (short)SCREEN_HEIGHT };
SetConsoleScreenBufferSize(hConsole, coord);

SetConsoleActiveScreenBuffer(hConsole);

It is possible to resize the window by shrinking the screen buffer to the smallest possible size, before scaling it up to the size you want. Frustratingly you cannot set the console to any size you want, as there appears to be a restriction that the size cannot be larger than 800×600 pixels. For the game, I ended up using 108×60 characters to make the game the largest widescreen resolution. You can also set the font and the font size, the window title and window position as well, which is enough customization you need even if it’s not possible to get fullscreen or “high resolution”.

Input can be read from the input handler, including focus, mouse and keyboard events. You can also use GetKeyAsyncKeyState() to get real-time input handling. Mouse positions can only be accessed from the input handler.

HANDLE hConsoleIn = GetStdHandle(STD_INPUT_HANDLE);

INPUT_RECORD inBuf[32];
DWORD events = 0;
GetNumberOfConsoleInputEvents(hConsoleIn, &events);
if (events > 0)
	ReadConsoleInput(hConsoleIn, inBuf, events, &events);

for (DWORD i = 0; i < events; i++)
{
	switch (inBuf[i].EventType)
	{
	case FOCUS_EVENT:
	{
		windowFocus = inBuf[i].Event.FocusEvent.bSetFocus;
	}
	break;

As mentioned earlier, using standard text input/output isn’t fast enough for real-time rendering, it’s also rather limiting. What we need is a way to render a full array of characters to the console screen, so how do we do that? And how do we display colour? Well, the best way deals with both birds with one stone, WriteConsoleOutput(). This function writes a full set of characters to the console, but you do not input strings, but a special Character format that allows you to set either ANSI or Unicode Characters, as well as what foreground and background colours for that element in the array. Command Prompts (as well as most pre-installed terminals) give you a maximum of 16 foreground and background colours each, although with the right character sets and other tricks you could create more colours. Once you have set up an array, you just call WriteConsoleOutput, using your console output handler, the array, the size of the array in width and height as well as the area you wish to draw to. A lot of this info I first discovered from the One Lone Coder through his ConsoleGameEngine tutorial series, as well as a header-only roguelike engine called rlutil.

///Buffer Screen
CHAR_INFO *bufScreen;

void drawChar(int x, int y, short c, int color, int bgColor = 0)
{
	if (x < 0 || y < 0 || x >= SCREEN_WIDTH || y >= SCREEN_HEIGHT)
		return;

	bufScreen[y * SCREEN_WIDTH + x].Char.UnicodeChar = (short)c;
	bufScreen[y * SCREEN_WIDTH + x].Attributes = color | (short)(bgColor * 16);
}

///Drawing the full buffer screen array to the console.
HANDLE hConsole = GetStdHandle(STD_OUTPUT_HANDLE);
WriteConsoleOutput(hConsole, bufScreen, { (short)SCREEN_WIDTH, (short)SCREEN_HEIGHT }, { 0,0 }, &rectWindow);

///Clearing the buffer is as simple as setting all the elements to 0.
void clearScreen()
{
	memset(bufScreen, 0, sizeof(CHAR_INFO) * SCREEN_WIDTH * SCREEN_HEIGHT);
}

For timekeeping, an easy way to get efficient time tracking would be to use the standard library chrono. However, to avoid overhead and allow support with older systems, I needed a more specialised solution. Fortunately, I remembered a Windows-specific method of timekeeping from a video by a game developer going by the name TheCherno. While in more recent videos he recommends newcomers to use chrono, in a C++ game engine tutorial he used QueryPerformance functions. Essentially, you call QueryPerformanceCounter(), which will return you a timestamp accurate to the nearest microsecond of the PC’s performance counter. You can get the timestamp from the start of your loop, and another at the end to work out the total time to process a loop. While it is platform specific, because it’s part of the Windows API there is little overhead, and it’s extremely accurate.

bool StartCounter()
{
	LARGE_INTEGER li;
	if (!QueryPerformanceFrequency(&li))
		return false;

	PCFreq = double(li.QuadPart);

	QueryPerformanceCounter(&li);
	CounterStart = li.QuadPart;
	return true;
}

float GetCounterNanoseconds()
{
	LARGE_INTEGER li;
	QueryPerformanceCounter(&li);
	return (float)((li.QuadPart - CounterStart) / PCFreq);
}

float GetCounterMilliseconds()
{
	return GetCounterNanoseconds() * 1000.f;
}

Finally, for sound, I only wanted the simplest implementation I could find. All I needed was the ability to load Wav and Ogg files, and play them in parallel. Fortunately, that is possible with a single library and a header file. Randy Gaul developed a large collection of self-contained systems, each could be used with a single header. This included cute_sound, which does exactly what I wanted. It does have some minor faults such as crashing if you tried to delay a sound, and needs a significant updated to be friendly with modern compilers because of how it uses goto statements, and unfortunately because of how the Vorbis library works you cannot make it header only, but it’s not complex.

void loadAudio(const char* name, unsigned int id)
{
	freeAudio(id);

	const char *dot = strrchr(name, '.');
	if (!dot || dot == name) return;

	if (!strcmp(dot, ".ogg"))
		load_sound[id] = cs_load_ogg(name);
	else if (!strcmp(dot, ".wav"))
		load_sound[id] = cs_load_wav(name);
}

void playAudio(int id, bool loop, float volume, float pitch, float pan, float delay)
{
	cs_play_sound_def_t def = cs_make_def(&load_sound[id]);
	def.looped = loop ? 1 : 0;
	def.volume_left = volume;
	def.volume_right = volume;
	def.pitch = pitch;
	def.pan = pan;
	def.delay = delay;
	cs_play_sound(ctx, def);
}

The engine’s structure is that the user simply defines preprocessors for constant values, and includes a single header to get the engine’s full functionalities. All they need to do is to set up a function for handling updates and rendering (if they want to use real-time functioning) or event handling, and then call a function called run to start the engine. Keeping it like this basically means it’s possible to create tiny demos and games with whatever external tools they want.

When the jam actually started (yes I built a two-header library about a week before the jam began), I wrote basic state management system for the two scenes I wanted (title and game), as well as renderable objects. Each interactable object used a game object struct that had basic physics for movement and collision checks. The pinball environment was achieved by assigning each wall an ID, and that ID also corresponded with the angle of the slope as well as how it appeared. While most other game objects were defined as sprites, an overridden game object that has an array to represent a single static image, the flippers was a special sprite that manipulated that array based on how long a button was held down for. It also had special collision responses based on what stage the flippers were in, which proved a challenge when sprites could easily go through them.

What made working on this engine quite exciting was it really encouraged you to work with proper limitations. Unlike pico-8, where the limitations are hard-coded into the engine and its fantasy console, the command prompt had a small resolution and a limited colour palette purely because it was not intended for real-time rendering and gameplay, and the 1.44MB meant I had to think outside the box to find ways not to use too much memory, although, in the end, PEWBALL was under 400KB (possibly smaller still if I could get a compress heavy linker like crinkler to work).

One way to optimise was to replace having a particle emitter with particle objects with the rand() function and lots of basic maths to work out where particles would be over time. This technique was used for the starfield at the beginning as well as the explosions enemies and the player has in the game. Guns used a simple fixed sized array as an object pooling system, a similar one was also used for the enemies, which had their own struct that could be overridden for unique behaviour. Ogg files were compressed to their lowest quality, which gives them a small file size as well as gives a slightly distorted retro feel, helped by the 8-bit inspired music and sound effects that I used.

While I could have carried on development up to the deadline on August 10th, I needed to get a game finished for July, so I decided to stop on July 31st and submit it, announcing it’s release on August 1st. Little did I know, there was also a voting session that went on for a while. Out of the 25 submissions managed to achieve 7th, and the overall winners were Floppy Bug (In Quality and Design) and Crates in a Crate (in Gameplay). I’m pretty happy with where I placed considering the challenge I had in creating an entire engine, although I’m definitely impressed with Floppy Bug because the team behind it decided to one-up me and create a full 3D OpenGL engine in two weeks that took up 440KB.

Regardless, this one was a rather fun challenge. It kind of makes me want to look into development for other primitive systems, maybe I could try developing for an old console next, who knows? As for Linux, that might not be as possible as I hoped it would be. The problem with Linux Terminals is that they don’t have the same level of control as the Windows Command Prompt. It is possible to do things like resizing the terminal window, draw characters at certain positions and set the colours of characters using ANSI escape sequence strings, however, it isn’t as stable as I once thought, and there isn’t much documentation on getting it to work.

If you want to check out the engine itself, it’s called KitConsole and can be found on Github, and you can check out PEWBALL on Itch.io.

WizardJam – Re(re4ti0n

So June is almost over, and right now I’m writing as SGDQ is going on, but in the few weeks prior I was working on a game for my game-jam of June.

The game jam for this month is Wizard Jam, the seventh jam organised for the Idle Thumbs website and podcast. This was a jam that was fairly relaxed in comparison to most I take part in, being more than two weeks, with a very open themed convention. Instead of a singular theme, your theme is to choose from one of the many episode titles of the Idle Thumbs podcasts, which did take a while for me to pick, but I decided to choose one based on a little experimental project I was working on.

After being inspired from GDC earlier this year, I started work on a simple facial animation system to be used in the feature of a game. It used SFML’s primitive rendering system with interpolation and managed to get it to speak based on a simple string input. Wizard Jam gave me the opportunity to utilise it in a game with the theme “Read Our Lips” to test how effective it is.

The concept was a game where you were given quotes that are incomplete and corrupted, and your goal is to complete them based on your interpretation. The player had a short amount of time to enter their guess before being shown the next one. I went with giving the game a basic layout of an office, with a futuristic computer screen for the input and a faulty old looking monitor for the broken quotes. Thanks to SFML’s sf::Event::TextEntered, it’s incredibly easy to handle text input. It took less than a day to get the concept done, and an additional two days to get the initial layout done.

While I did take one day out to play around with the sfeMovie library, I spent most of the time polishing the existing game concept, improving the visuals and adding sound. I added camera movement so the text would be easier to see for a short amount of time. I updated the backgrounds so I could give a bit of a parallax effect.

The monitor was updated to use a lot of shaders, the title screen used the same amount of shaders. The main distortion shader was felixturner’s bad-tv-shader, combined with a fish-eye lens and scanline effect. I originally included a noise shader (as you can see in the previous tweet) but I found that darkened the colours so instead replaced it with the bloom shader that I’ve used in Berzerkatron and Gemstone Keeper. Finally, after some feedback, I added a simple chromatic aberration effect by offsetting the colour channels. It appeared to create an old and broken monitor effect that seemed to get some good impressions from people I showed it off on Discord servers.

There is no music for this game, just sound effects and ambient noise. Most of them were sourced from soniss’ GDC audio libraries, with some additional royalty free sounds for TVs and crowds. The name was kind of inspired by l33t speak, as I wanted to summarise the concept of the game (restoration/recreation) with the distortion you deal with.

The gameplay flow of having two minutes to guess as many quotes correctly was actually the last moment idea, originally you had to guess five random quotes with fifteen seconds each, but I felt that made the game too short for anyone finding it easy. One game dev on the Birmingham Indie Dev Discord suggested also making each quote progressively harder to start, but each would slowly become easier over a period of time. That way the game starts easy but gets difficult, but the currently displayed quote will slowly fix itself if you let it wait.

I was hoping to polish up the game a bit more over the weekend, but I went out to a party that unfortunately ended with the theft of one of my bags. While nothing game dev related was stolen, an expensive costume that I wear for public events was taken and it’s been reported to the authorities, although that didn’t stop the moment from dropping my emotional and motivational drive. I did get some last finishing touches done and missed the deadline by a few seconds, however the host was able to add Re(re4ti0n to the jam submission list the following morning.

You can play Re(re4ti0n by clicking the above image or right here.

HighJam #1 – Berzerkatron

UPDATE: The results of HighJam #1 are online. Berzerkatron got Second Place in Theme and Third Place in Graphics! Thank you to all those who have provided feedback. I have since updated a post-jam version of the game and to celebrate the results a new update has been uploaded. You can find out more on Itch.io.

As part of my effort to participate in one game jam a month, the month of February is HighJam. This is the first game jam is organised by HighSight Gaming, a Twitch Streamer who specialised in Indie Games with Indie Insights for a while (a show which Gemstone Keeper appeared twice on), although now it’s been replaced with a new show analysing classic games, In Hindsight.

The theme of this jam was Atari Remakes, specifically to quote the description: “you must reimagine any Atari 2600 game of your choice”. One of my favourite 2600 games made by Atari was Berzerk, originally released at arcades in 1980 and was ported to 2600 in 1982. While the rules stated that I was not limited to the graphics, sounds and mechanics of the original, I felt like doing a “modernized” look wouldn’t do so well. The concept in my mind was to do a reimagining that would be in the style of Jeff Minter. It’s most likely due to the man’s past work, I had an image in my head of a “Berzerk 2000” of sorts, with a psychedelic feel, visually creative backgrounds and random sound samples.

Click here to go straight to the game!


Here is how I developed two of the most interesting concepts of this game:

The Level Rotating Transitions

This was a feature I was really keen to make, and once I found it was possible and implement, I wanted to keep silent about it so people can witness it while playing and see what their first reaction to it was, and when watching HighSight’s Playthrough (Skip to 01:54:30) I think it’s safe to say it worked. The initial version of the cube shader was by gre on gl-transitions.com, a website I’ve used recently for Gemstone Keeper.

The shader itself fakes perspective by skewing both textures so it appears thinner when further away, and moves both so it appears like a cube.

I modified the texture to remove the reflection at the bottom as it seemed unecessary and added a variable and functions so it could not only rotate it clockwise in the Y-Axis for horizontal transitions, but rotate it in the X-Axis for vertical transitions, it was then a case of using a uniform variable for me to define which direction I want the shader to rotate towards. You can check out the modified shader in the Assets folder of the game.

Randomized Levels

Funnily enough, having the levels be randomized wasn’t out to be creative but because I couldn’t think of a quick method of creating a huge array of level designs (the original Berzerk had somewhere in the range of 1024 different level variations!).

When looking through the original Atari version, I figured the levels were all configured into a 3×3 grid (I realised I was incorrect afterwards, as the Atari 2600 had 4×3 grid levels and the Arcade version had 5×3 levels), and then by defining each segment to a binary number I could determine which segment should have walls in either or all four directions.

I’d then construct a path between the player’s starting segment and the segments of each available exit, for the the remaining segments that have no value set, I’d use a random value. This last step had to be constrained as to have as few empty rooms as possible. However, as the above gif shows, not all levels are fully explorable. I also use the grid to determine which areas enemies and civilians should appear in.

Backgrounds

Unfortunately, I didn’t have the time to plan out or work on the brilliant background effects Jeff Minter develops, but GLSL-Sandbox is an excellent gallery of GLSL shaders that render brilliant visuals without any additional assets. I decided to pick ones that were monochromatic and were visually interesting without pointing too much attention from the game itself. I also used my multipass shader system to apply a shader that added a diamond gradient and another that made it possible to crossfade between different backgrounds.

Civilians

Interestingly, the idea of civilians to rescue (idea taken from Robotron and Llamatron) was kind of a last minute idea. I added this part of the game to encourage players to explore the level and add pressure to spend more time in the level while involving Evil Otto.

I did run out of time to implement some things I wanted like particle effects, but I’m happy I managed to get a playable version done. I did take one or two days off to have some leisure (and charity work) but I feel this is worthwhile. Hopefully enough people will vote and leave a good rating on this game.

New Years Resolutions

Good evening everyone! It’s no doubt that 2017 has been a hell of a year following what happened in 2016, but we fought through and we are still here fighting! This year has also been huge in terms of game development for me. I managed to finish SEVEN games this year, six from game jams such as #RemakeJam, PROCJam, Jamchester and Three Ludum Dares!

https://img.itch.zone/aW1hZ2UvMTYzMjc3Lzc1MjE2Ni5naWY=/315x250%23c/L0i8g2.gif  https://img.itch.zone/aW1hZ2UvMjAxMDM1LzkzOTE3OC5naWY=/315x250%23c/q5QpUK.gif

The seventh game was the nearly two year project Gemstone Keeper, which made an initial release on March 31st earlier this year and has since had numerous updates, although grouped together as four updates. The most recent of which was 1.0.4 that was announced on 21st of December. The game is currently on part of the Steam Winter Sale, and is currently 50% off!

Gemstone Keeper also had a second smaller release as it was ported to Linux, the build being available on Steam in June. I documented the progress to port the game in three blog posts (part 1, part 2 and part 3), and got a small amount of coverage from dedicated linux gaming websites as a result.

There was also an accomplishment in travel as well, 2017 was the year I went to both GDC in San Francisco and Develop in Brighton for the first time! Both events were great opportunities to meet up and socialise with fellow game developers and listen to talks from great minds such as Ken Perlin, John and Brenda Romero, Jordan Mechnar and Tim Sweeny.

As for 2018, I want to set some goals. As with many New Years Resolutions, chances are they will be forgotten and unaccomplished, but considering I managed to lose weight this year, I might pull through with a bit of committment.

First one is that I want to take part in at least one game jam a month, meaning I’d be finishing 12 games next year. I like the challenge and creativity from game jams, but this year I feel like six isn’t enough. At least spacing out the game jams to one a month will give me time to find a weekend or so to get my head down and finish something.

Second one is to get a game on console. It’s not like I haven’t bothered trying before (I’ve reached out to Nintendo about developing Gemstone Keeper for the Switch to no avail), but it would be nice to expand my work beyond desktop PCs and web development. Porting my own game to Linux should show how when I put my mind to it, building a game to another platform by hand is possible, and it would be great to show I can do that on one of the three main systems.

Thanks for reading and have a happy new year everyone!